I had a conflict, and I had to decide which
5:00 pm event I was going to attend. The other was someone I know, and it was a one-time talk, but it was "sold out," so this is what I attended:
Topic
Frida Kahlo:
Appearances Can Be Deceiving Digital Curator Discussion and Ex-Voto Drawing
Workshop
Description
Join us for
a behind-the-scenes look at the highly anticipated exhibition Frida Kahlo:
Appearances Can Be Deceiving led by guest curator Circe Henestrosa and advising
curator Gannit Ankori, with opening remarks by Hillary Olcott, coordinating
curator and associate curator of the arts of Africa, Oceania, and the Americas.
Following the conversation, join teaching artist Raphael Noz to explore the
ex-voto painting tradition, which inspired the work of Frida Kahlo. Ex-voto or
votive paintings are a tradition of folk art that pay tribute to divine intervention
in personal calamities, as well as providing an inadvertent catalogue of human
misfortune.
The following materials are needed for the activity:
Pencil
12”x 8” Cardboard (landscape)
Acrylic Paints* or color pencils or pastels
Paintbrushes (if using paint)
*If planning to paint prep cardboard by painting white.
The following materials are needed for the activity:
Pencil
12”x 8” Cardboard (landscape)
Acrylic Paints* or color pencils or pastels
Paintbrushes (if using paint)
*If planning to paint prep cardboard by painting white.
Time
What I thought was most touching were the two stories Rafael Noz, who led us (but not really me) in the ex-voto painting, told when explaining what inspired his ex-voto paintings The friend whose book appeared in a bookshop window right before he heard of his death and all that transpired and the partner's mother's singing to him and then his finding out that she sang to all her sons.
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