Pauline Kael was unconvinced by the film, and its 'middlebrow highmindedness', but praised Williams. "Robin Williams' performance is more graceful than anything he's done before [-] he's totally, concentratedly there - [he] reads his lines stunningly, and when he mimics various actors reciting Shakespeare there's no undue clowning in it; he's a gifted teacher demonstrating his skills."[7]
Roger Ebert's review was mixed, two out of four stars. He criticized Williams for spoiling an otherwise creditable dramatic performance by occasionally veering into his onstage comedian's persona {this is different from Pauline Kael's take}, and lamented that for a movie set in the 1950s there was no mention of the Beat Generation writers. Additionally, Ebert described the film as an often poorly constructed "collection of pious platitudes [...] The movie pays lip service to qualities and values that, on the evidence of the screenplay itself, it is cheerfully willing to abandon."[8]
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